DETECTIVE STORY (1951)

Based on a popular play of the same name (which from 1949 to 1950 ran for 581 performances on Broadway and featured Ralph Bellamy as the lead actor!  Holy fook!  I bet that was awesome!!!), DETECTIVE STORY tells the story of one day in the life of NYC police Det. Jim McLeod (Kirk Douglas).  Instead of following him around town, the events in DS are completely based around the detective's bullpen at the police station.  That sounds risky, but it's not, because DETECTIVE STORY is riveting from beginning to end.  Mainly thanks to the mature script and the intense performances by the entire cast.  And what a cast!  I just spent the last two hours going through the IMDb profiles of the films cast and crew.  That was a lot of fun.

The film opens with a detective bringing in a shoplifter.  From there, we're introduced the the layout of the police station and the fascinating cast of characters.  As the story moves along, more and more characters walk in and out of the film. There's a number of minor stories, but the main story concerns Detective McLeod and his dogged investigation of abortionist Dr. Karl Schneider (played by George Macready, who you might remember paired off against Douglas again six years later in Kubrick's masterful PATHS OF GLORY).  McLeod might hate Schneider now, but that ain't nothing compared to how much he hates him by the end of the movie! 

All of the "lesser" stories are interesting, but the person that really grabbed my attention was accused burglar Joseph Wiseman.  He might only be suspected of robbing houses, but one thing he's definitely guilty of is stealing scenes in the movie!  Holy shit, every single times he's on camera I couldn't take my eyes off of him!  He was amazing.  I'm not saying that to take away from the rest of the cast, cause everybody was great.  Wiseman just happened to be extra great.

One of the most impressive things about DETECTIVE STORY is the amount of information that's so effortlessly given to the audience.  The filmmakers did an amazing job of keeping multiple things going onscreen for the majority of the film.

By today's standards, DETECTIVE STORY is dated, but it's still a great film that deserves to be seen and admired.  Highly recommended.  Would make a very confusing double-feature with Takashi Miike's DETECTIVE STORY.

Very interesting attention to detail (and maybe even foreshadowing?) at 44:39, when Kirk Douglas goes to ask Joseph Wiseman about the monogrammed dish.

BASKIN (2015)

"Hell is not a place you go.  You carry Hell with you at all times."

As far as these type of "torture porn" movies go, I liked BASKIN.  There's not much of a story (Five Turkish cops have a really bad evening.), but yet, I enjoyed the surrealist feel of the whole thing.  The dream-like story structure, the impressive lighting and colours, the quality acting, the fucked up cult and the main bad guy...holy fuck!  That dude looks awesome!!!  Somebody needs to team him up with ol' boy from THE HUMAN CENTIPEDE II and make some kind of insane buddy cop/surrealist gore film.

Back to BASKIN, I liked the fucked up story, but there wasn't enough gore or creepy shit going on.  The first half did a very good job of creating an uneasy feeling, but then, when we got to the full-blast torture stuff...it just wasn't enough.  I'm sure a lot of that had to do with the low budget, so, for what it is, BASKIN is definitely worth checking out for fans of such things.