Wednesday, October 21, 2015

BULLITT (1968)

San Francisco police lieutenant Steve McQueen is brought in to protect (for 40 hours) a key witness for a upcoming Senate Subcommittee hearing on organized crime.  The witness is holed up in a cheap hotel, so McQueen goes over there and does some of the worst witness protecting in movie history.  The witness is killed and then McQueen decides to get serious.  Any by "serious" I mean: doing average movie detective investigative work, buying a lot of disgusting looking TV dinners, stealing a newspaper, causing a shoot-out in a crowded airport terminal and going on a highly dangerous car chase without using any sirens/lights or calling for back-up.

I'm sure back in 1968 BULLITT was fresh and exciting (it was the 5th highest box office draw that year), but I'm also sure that in 1968, 1968 porno was exciting.  But ain't nobody watching that shit nowadays!  That said, BULLITT is not a bad film.  I enjoyed it alright and can see how it was influential on countless other police movies, but it's just too slow for me.  Also, the entire story was moved forward by McQueen's bad decisions.  Nice editing, great-looking San Francisco scenery, laid-back acting, a hip jazz score, ancient technology (including some bizarre and extremely unsafe looking coffee heating device), cool old muscle cars, very minor roles by Jacqueline Bisset and Robert Duvall.

Worth watching for the historical importance, but if you're looking for an exciting action movie that'll knock your socks off, this ain't it.

Tuesday, October 13, 2015

A PLACE IN THE SUN (1951)

This is a really good movie.

Montgomery Clift is the estranged nephew of the richest guy in a small town.  After a chance meeting (before the movie starts) in Chicago, the uncle invites Clift to come see him sometime.  Clift immediately sets out to do just that and as the film opens we see Clift hitchhiking into town.  He's given a low-level job in his uncles textile mill and forgotten about.  While working on the floor, he meets homely Shelly Winters and they start a relationship.  Things would have been just fine had it remained a simple fling, because Clift secretly has his eyes set on young socialite, Elizabeth Taylor.  He longs to be with her and to live the good life of parties, privilege and expensive toys.  Suddenly, it looks like that dream could become a reality when he receives a promotion at work and Taylor falls for him at a party.  Then sad sack Winters reveals that she's pregnant.  

There were a number of great serious dramas coming out of Hollywood after WWII and the early 1950's.  A PLACE IN THE SUN is one of my favorites.  Director George Stevens headed a U.S. Army film unit from 1943 - 1946 and documented on film all kinds of the horrible things that men can do to each other, including the landing on D-Day and the Hell on Earth horrors of the Nazi concentration camps.  He even helped prepare footage for use in the Nuremberg trials.  The darkness that he saw can be felt in A PLACE IN THE SUN.  Clift's inescapable doom.  The unfair hopeless fate of Winters.  The destroyed innocence of Taylor.  Clift's heartbroken mother who's failed upbringing of Clift contributed to his all consuming desire to escape the shackles of poverty.  None of the main players in this tragedy escape destruction.  Depressing story, doomed characters, death, love, heartbreak, veiled talk of abortion, fear, deep shadows...A PLACE IN THE SUN is a haunting experience.

Another thing that impressed me was the photography.  I mean, Jesus Christ, that scene where they first kiss...holy fook!!!  It's interesting that Clift and Winters first kiss was done all in silhouette, but then when Taylor and Clift kiss for the first time...wow!  I mean, I think, I actually stopped breathing for a few seconds.  The idea to film it that way has to be one of the greatest decisions in film history.

I could go on for hours about A PLACE IN THE SUN, but I don't like writing long reviews or giving away too much.  Instead, if you're a fan of classic Hollywood, then just go watch it for yourself.  It won 6 Oscars and it's easy to see why.  Also, I've always been a fan of Shelley Winters, but her performance here completely blew me away.

Double feature with Woody Allen's CRIMES AND MISDEMEANORS.