Showing posts with label Robert Duvall. Show all posts
Showing posts with label Robert Duvall. Show all posts

Monday, May 18, 2026

GONE IN 60 SECONDS (2000)

Steal 50 cars in 72 hours. That’s the gist of the entire story.

Nicolas Cage is the greatest car thief in the known universe. But he’s retired. So, in order to pull off a needlessly overly complicated job in an unnecessarily short amount of time, gangster Christopher Eccleston threatens to force Cage’s lil’ brother, Giovanni Ribisi, to watch a Will Smith movie…or was it kill him? Hum, I can’t remember. Either way it’s a horrible punishment and Cage understands the seriousness of the situation. So, he assembles a 2 kool 4 skool group of forgettable dorks (and Robert Duvall) to help him steal 50 high-end whips in 72 hours. At the same time, there are two police detectives (Delroy Lindo and Timothy Olyphant) following leads and eventually discovering the invention of the blacklight.

GONE IN 60 SECONDS is an interesting callback to the dark days before the Fast & Furious movies and it helps me appreciate the series even more than I already do. On paper, 60 Seconds has the ingredients for an awesome cheesy guilty pleasure fast car movie, but, sadly, it’s unable to turn those ingredients into an awesome movie. Instead, it’s just kinda…meh. There are no standout moments, the characters are all one-dimensional, the car chases are boring, almost zero regard by any of the characters concerning the immediate danger they’re in, the dialog is forgettable bland chatter, most of the acting is on cruise control and the entire look of the film is just off. Like why are all the daytime scenes so brown?

I've seen GONE IN 60 SECONDS a few times over the years and every single time I go into it hoping that it's gonna be awesome and that maybe last time I saw it I was wrong, but then I watch it and end up thinking "This is it?" It's disappointing because, beforehand, in my handsome brain I see this insanely awesome story full of colourful characters and badass action, but then the reality is a simplistic, by-the-numbers car chase movie...with boring car chases. Overall, it's a watchable film, but it misses that spark that would make it dope. Also, I could never get over the fact that our heroes are literally car thieves! So, like no matter what their reasonings are…they’re still causing innocent people massive hardships due to their property being stolen. And we're suppose to be rooting for these people? Fuck them. And don’t even get me started on the innocent people injured from all of the car wrecks.

Also, for no reason in particular, I wanna give a quick shoutout to whoever did the casting for THE FAST AND THE FURIOUS. You deserve a Gallo 12 and a Gallo 24.

Original - Gone in 60 Seconds (1974)

Monday, August 23, 2021

COLORS (1988)

"Fucking vato psycho loco, homes."

Los Angeles, California. A newer cop (Sean Penn) is teamed up with a veteran cop (Robert Duvall).  Together they protect the citizens of Los Angeles by breaking all kinds of laws and doing pretty much anything they want.  Including spray painting a teenager in the face and watching an unarmed (naked) man get shot in the back.  By time the film was over I wasn't sure if they had actually done anything productive or were just another participant in the gang war.  Maybe that was the point of the story.

As far as older police/street gang movies go, COLORS is extremely dated...but honestly, it was dated the day it came out.  I don't think Damon Wayans A capella rapping "checkin' out slobs / that is our job...G ridin in the van / with my main man" could've ever be taken seriously.  Dated or not, COLORS is still an entertaining watch for fans of 1980's crime films.

Medium pace, uneven direction (by Dennis Hopper of all people), tons of familiar faces, lots of cool Los Angeles locations (including the rebel hideout from V: THE FINAL BATTLE and a bad ass movie theater showing AMERICAN NINJA 2: THE CONFRONTATION, DIRTY WAR and STREET SMART!), zero big awesome action scenes, vintage cars, vintage clothes, solid acting, interesting variety of music (including Los Lobos, War, Ice-T, Eric B & Rakim, Big Daddy Kane and others), a few quick drive-bys, Damon Wayans air humping a large stuffed rabbit doll, unsatisfying ending, multiple continuity errors, quick nudity, a brief Candyman sighting and some truly thought-provoking dialogue.  Including this memorable exchange...

Gang member: "Well, fuck you man.  I don't wanna stop nothing!"
Cop: "Hey, fuck you.  You little stupid fucking asshole."
Gang member: "Well, fuck you back man!"

That's a fucking Hallmark moment right there.  Or maybe I should quote the guy from I'M GONNA GIT YOU SUCKA: "The man's a Shakespeare!" Anyway, COLORS. Good movie and kind of original for its time, but it doesn't hold up to some of the street gang classics that would come just a few years later.

[Update 08/31/2021: Watching 1973's ROBIN HOOD on Disney+ as I edit older reviews and the Sheriff of Nottingham just sang the line "They call me a slob, but I do my job."  That's very similar to the line Damon Wayans rapped in this film.  Guess it's a small world after all.]