DEAD END (1937)

Interesting, but dated social commentary piece set in a NYC tenement block located right outside of a luxury apartment building.  Why anybody with enough money to buy a luxury condo would want to have their balcony overlooking a ghetto filled with nonstop screaming and shooting, I have no idea but that's what happens here.  Anyway, down in the Depression-era 'hood you got a bunch of teenage boys who yell and holler 24/7.  These fuckers never shut up.  All day long they talk shit about people and about how their gonna beat the crap out of everybody.  Then you got the sad sack adults who walk around all day like zombies.  One scumbag woman even steals a cookie from a baby!  There's also unemployed Joel McCrea who has the hots for a rich girl and Sylvia Sidney who has the hots for Joel McCrea.  Entering into this heavy drama are hoodlums Humphrey Bogart and Allen Jenkins.  Bogie is wanted for multiple murders, but risks coming out in the open to see his mom and ex-girlfriend.  Things don't go as planned and further drama unfolds in da 'hood.

The story for DEAD END is okay and the acting is passable, but it's all so dated and cliche that there's really no power left in it.  It's an interesting watch, from a historical point of view and/or from the career perspective of the stars (I was really into the scenes between Bogart and Claire Trevor since I knew they would work together again in KEY LARGO), but if you don't have the time to spend you'd be better off watching something like I AM A FUGITIVE FROM A CHAIN GANG or even GRAND HOTEL.

On a positive note: the Dead End Kids weren't as annoying here as they were in ANGELS WITH DIRTY FACES, there was a strong supporting cast (including Ward Bond, Marjorie Main, James Burke, Minor Watson, Charles Halton) and the set was very impressive.  Director William Wyler wanted to shoot the film on location in the slums of NYC, but Samuel Goldwyn said no and had set designer Richard Day recreate the waterfront location entirely on a sound stage.  Day ended up receiving a Oscar nomination for his work.

STRANGER ON HORSEBACK (1955)

Circuit judge Joel McCrea is making the rounds when he comes upon a town that's run completely by one man, Josiah Bannerman (John McIntire).  There also happened to be an undocumented shooting a few days ago involving Bannerman's son, Tom (Kevin McCarthy).  The shooting was supposedly in self-defense, but once McCrea starts doing some digging he sees that the younger Bannerman has a history of killing people in "self-defense".  He arrests Tom, but that go over like a dry wet fart with Bannerman and his hired guns.  Will McCrea live long enough to get Tom to trial?

The story's not original, but the strong cast makes this an interesting time waster.  Unfortunately, due to the lack of action scenes the runtime is only 66 minutes (including the credits).  Director Jacques Tourneur had a lot of films under his belt by this time in his career, so I'm sure he knew the script needed punching up, but I'm guessing the budget didn't allow it.  Fortunately, his next film, the same year's WICHITA (also staring McCrea) turned out better.

Good cast, steady pace, low action, forced romantic storyline, cat sitting on a desk, nice photography, unoriginal story.  Average lower budget 1950's Western.