“The women’s bodies were cut open to get at the organs.”
Charles Reece (Alex McArthur) is a murderous, blood-sucking freak who walks around town blasting innocent people with an unsilenced handgun before sexual assaulting and disemboweling their corpses. He also likes to drink the blood of the dead to replace his own poisoned blood (cuz that’s how that works). Anthony Fraser (Michael Biehn) is a liberal-minded prosecutor who decides to go for the death penalty with Reece’s case.
Originally filmed in 1987, but not released theatrically until 1992, although I did locate a film festival in September 1987 where it played twice (see clippings below), William Friedkin’s RAMPAGE is a mess. The basic story, a fictionalized retelling of the crimes of Richard Chase, is mildly entertaining, but once he gets arrested (way too early in the film) things just bog down, down, down until you can feel your own poisoned blood coagulating in your cursed arteries.
Up and down pace, super impressive cast, way less violence than you would probably expect, a wicked shot of Reece fantasizing about bathing in blood while sitting in a tiger enclosure (I swear on Fred Durst’s grave that when I saw this film back in the 1990’s, the camera shot was wider and you could see three tigers), solid acting, the single darkest courtroom in movie history, a little blood, zero gore, zero nudity, a real hatred for expert witnesses, multiple interesting scenes that were cut short while other (less imaginative) scenes were left in.
I’m not sure which version of this film I originally saw back in the day and I’m not even sure that it matters. Watching RAMPAGE in 2025 is going to be disappointing for (I would think) everybody. There is just such a vast amount of superior serial killer and crime genre stuff out there nowadays. For example, I recently watched the show Dept. Q (Season 1) in two sittings and time just flew by! I couldn't get enough. Then I sit down today to revisit RAMPAGE and while I was fascinated by the cast, the story (especially the courtroom stuff) was dead on arrival.
I'm sure there's Friedkin freaks out there that absolutely love this movie, but it's just not my cup of non-poisoned blood anymore. I do remember liking it when it first came out, but it has not aged well. That said, if they ever come out with a definitive, remastered version of RAMPAGE, I would watch it.
Showing posts with label Michael Biehn. Show all posts
Showing posts with label Michael Biehn. Show all posts
Monday, June 30, 2025
Sunday, May 14, 2017
THE TERMINATOR (1984)
Los Angeles, 1984. Sarah Connor is about to have a bad day.
Little does Sarah know, while riding a scooter to her waitressing job, but she is about to be the focus of one of the most important events in human history. The simplified version (as to not spoil the story or the sequels too much) is in 1997, a super intelligent and self-aware computer system called Skynet launches a worldwide nuclear assault on humanity. In the aftermath, some humans band together to form The Resistance. Their leader is one John Connor, son of Sarah Connor. For decades they fight the robot army controlled by Skynet. Finally, in 2029, on the verge of defeat, Skynet sends a cyborg assassin back in time to 1984 to kill John Connor's mother before he is even born. Not a bad idea, except that the Resistance also sends back a human, Kyle Reese, to protect Sarah. What follows is exciting as fook!
THE TERMINATOR is without a doubt one of the the most influential movies of all time. Not just on other movies, but on popular culture as well. As for me, I've seen it, at least, a hundred times. The story is brilliant (not only is it action-packed and thought provoking, but it's actually romantic as well), perfect use of slow-motion, the direction and editing are unbelievable (there is not a single wasted moment in the entire film, every single scene is moving it forward!), it looks amazing and the acting is great all the way through. Outside of a few minor goofs (car headlights in the police station scene, gun sounds, etc.), THE TERMINATOR is an outstanding film and entertaining even after numerous viewings. A timeless classic.
Part 2 - Terminator 2: Judgement Day (1991)
Part 3 - Terminator 3: Rise of the Machines (2003)
Part 4 - Terminator Salvation (2009)
Part 5 - Terminator Genisys (2015)
Part 6 - Terminator: Dark Fate (2019)
Little does Sarah know, while riding a scooter to her waitressing job, but she is about to be the focus of one of the most important events in human history. The simplified version (as to not spoil the story or the sequels too much) is in 1997, a super intelligent and self-aware computer system called Skynet launches a worldwide nuclear assault on humanity. In the aftermath, some humans band together to form The Resistance. Their leader is one John Connor, son of Sarah Connor. For decades they fight the robot army controlled by Skynet. Finally, in 2029, on the verge of defeat, Skynet sends a cyborg assassin back in time to 1984 to kill John Connor's mother before he is even born. Not a bad idea, except that the Resistance also sends back a human, Kyle Reese, to protect Sarah. What follows is exciting as fook!
THE TERMINATOR is without a doubt one of the the most influential movies of all time. Not just on other movies, but on popular culture as well. As for me, I've seen it, at least, a hundred times. The story is brilliant (not only is it action-packed and thought provoking, but it's actually romantic as well), perfect use of slow-motion, the direction and editing are unbelievable (there is not a single wasted moment in the entire film, every single scene is moving it forward!), it looks amazing and the acting is great all the way through. Outside of a few minor goofs (car headlights in the police station scene, gun sounds, etc.), THE TERMINATOR is an outstanding film and entertaining even after numerous viewings. A timeless classic.
Part 2 - Terminator 2: Judgement Day (1991)
Part 3 - Terminator 3: Rise of the Machines (2003)
Part 4 - Terminator Salvation (2009)
Part 5 - Terminator Genisys (2015)
Part 6 - Terminator: Dark Fate (2019)
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