A poor country girl heads to New Orleans. Lost and penniless in the big
city, she takes up a job as a stripper, but then when she drinks some tea given
to her by a voodoo woman she falls asleep and wakes up/dreams that she's
actually a prostitute living in 19th century New Orleans.
In the right hands that lame story idea could be turned into something
entertaining, but unfortunately, instead of simply making it a light sex comedy
the filmmakers for some reason decided to make FRENCH QUARTER a mostly serious
film about a dim-witted chick involved with sex slave trafficking. The
next poor decision they made was filming the entire "back in time" section (the
majority of the movie) with what looks to be Vaseline smeared on the edges of
the camera lens. I'm assuming this is to give it some kind of dreamy feel
and that would've been okay for a few seconds but 75 minutes is just
ridiculous.
The acting was alright (I have absolutely no idea how Virginia Mayo got involved
with this mess), but like I said...this should have been a comedy instead of a
serious film. I'm sure there are people out there who like this movie, but
I found the whole thing to be very slow and ultimately pointless. Skip
it.
There was some lackluster nudity if anybody cares.
Showing posts with label Virginia Mayo. Show all posts
Showing posts with label Virginia Mayo. Show all posts
Sunday, August 30, 2015
Wednesday, May 29, 2013
COLORADO TERRITORY (1949)
This loose retelling of HIGH SIERRA, finds Joel McCrea in the Bogart character as a criminal who's hired for a big robbery job, but troubled by his growing conscience. Along the way to meet his new partners, he foils a stagecoach robbery and takes a liking to a old man and his beautiful daughter. Once he arrives at the ghost town where his team is waiting for him, he finds them not to his liking and even worse is there's a woman with them. As expected, the tension among the men grows and the robbery doesn't go as planned. Now on the run from a bloodthirsty posse, McCrea has to make some quick decisions.
Strong cast and a great director, but for whatever reason COLORADO TERRITORY didn't do a whole lot for me. It was an entertaining watch, but I felt like I'd already seen all of this before...probably because I did in HIGH SIERRA! Also, I didn't care for seeing McCrea as a bad guy. I understand that he was having a change of heart, but he's still a criminal and a killer.
Worth watching, but unfortunately it doesn't bring anything new to the table.
Original - High Sierra (1941)
Remake 2 - I Died a Thousand Times (1955)
Strong cast and a great director, but for whatever reason COLORADO TERRITORY didn't do a whole lot for me. It was an entertaining watch, but I felt like I'd already seen all of this before...probably because I did in HIGH SIERRA! Also, I didn't care for seeing McCrea as a bad guy. I understand that he was having a change of heart, but he's still a criminal and a killer.
Worth watching, but unfortunately it doesn't bring anything new to the table.
Original - High Sierra (1941)
Remake 2 - I Died a Thousand Times (1955)
Friday, April 19, 2013
ALONG THE GREAT DIVIDE (1951)
Excellent western. Kirk Douglas (in his first western) plays a law man
who, along with his two deputies, come upon a man (Walter Brennan) about to get
lynched. Kirk rescues the guy and hears from the lynching party that he's
guilty of murder. Kirk reminds them that it's not up to them to take the
law into their own hands and he's gonna take the accused man into town for a
fair trial. Easier said than done cause the town is a long way off and the
men from the lynching party are hellbent on killing this dude. Added to
the direct threat of getting shot by the men trailing them, Douglas has to deal
with the psychological warfare being dealt out by the accused man (and his
daughter Virginia Mayo) who will do anything to free him including turning
Kirk's own deputies against him.
I don't know what the earliest example of the "transporting-the-prisoner" sub-genre is, but this does a great job of it. Quick pace, top-notch acting, well-written script, beautiful desert scenery, good camerawork. Overall ALONG THE GREAT DIVIDE is a solid film. Recommended.
Double-feature with THE NAKED SPUR.
I don't know what the earliest example of the "transporting-the-prisoner" sub-genre is, but this does a great job of it. Quick pace, top-notch acting, well-written script, beautiful desert scenery, good camerawork. Overall ALONG THE GREAT DIVIDE is a solid film. Recommended.
Double-feature with THE NAKED SPUR.
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