HAIL, CAESAR! (2016)

Around a hour or so into HAIL, CAESAR! I thought to myself "What the hell is this movie?"  IMDb lists it as a "Comedy, Mystery", but there's nothing worth more than a smile throughout the entire thing and I have no idea what the mystery portion could have be.  Yeah, there's a kidnapping but we know who the kidnappers are right from the beginning!

Whatever.  Set in the early 1950's, HAIL, CAESAR! is the story of a Hollywood studio big wig (Josh Brolin) who spends all of his time taking care of production needs and keeping the various studio stars in line.  One day something big comes up when the main actor (George Clooney) in the studio's most expensive film disappears off the set.  Is he on a bender?  Shacked up with a dame?  Or maybe even kidnapped by Communists?  69'ing in the woods with a mountain lion?  Brolin has to get his star back while at the same time taking care of various other problems (pregnant single actress, miscast actor, a tempting job offer, etc), it's all very...blah.

I love classic Hollywood and I was excited to see a modern day film set back in 1950's Hollywood, but HAIL, CAESAR! is a dud.  It looks nice, but the story was all over the place with no true center or even likeable characters.  I kept waiting and waiting for something to develop, then I realized that the movie is already 3/4's done and it's still just flailing around like a boat lost in a storm.

With so much talent (both in front and behind the camera) I was expecting a delightful throwback mystery-comedy, kinda like the wonderful THE CURSE OF THE JADE SCORPION, but that didn't happen.  Instead HAIL, CAESAR! simply putters along and leaves more questions than it answers.  On the bright side I really enjoyed the performances of Alden Ehrenreich and Veronica Osorio.  They were both great. Also, the lighting was nice.

Is that a white SUV off to the right?

GOSFORD PARK (2001)

Sir William McCordle is throwing a dinner party/shooting weekend at his massive country estate.  All of the upper class guests gather upstairs, while all of their servants are busy downstairs preparing for the weekend.  The first half of this intriguing film sets up the back stories of all of the characters stories and since there's probably a dozen main characters, there's not a wasted moment or shot.  Every second the overall story is moving forward and getting more and more interesting until there's a double murder!  And I don't mean two people getting murdered, but one character getting murdered twice!!  Who could have possibly done it?  Well, as we learn more about the murder victim, it ends up he was actually such a brutal and dastardly fellow it's probably easier to guess who didn't have a reason for wanting to see him dead.

GOSFORD PARK is a delightful film that is so rich that it can been seen over and over again and still pick up little things you missed before.  One interesting thing the filmmakers did was have the story told from the aspect of the downstairs staff.  So that way we, the viewer, only gets to see what's going on upstairs if there is a service member present.  That's a very clever idea.

An impressive ensemble cast overflowing with talent, a great little whodunnit mystery, beautiful locations and sets, quick pace, GOSFORD PARK is a great film.  The only weak part, to me, was Ryan Phillippe.  He's not bad by any means, but next to such an outstanding cast he just can't hold his own.  From what I've read Jude Law was originally suppose to to be in that role and I agree, he would have been a better choice.

Now I'm in the mood to watch some "Midsomer Murders".