WHEN TIME RAN OUT... (1980)

Note to self: never build a resort hotel next to a volcano.

Holden and Newman are back together again, baby!!!  Hell yeah.  This time, instead of fighting a towering inferno, they're fighting, well, actually they're just running like hell from a pissed off volcano.  And that's about it.  The End.

WHEN TIME RAN OUT... is alright.  I don't like the three dots at the end of the title, but the location photography in Hawaii is beautiful and the build-up stuff is fun.  William Holden is a rich dude and very busy, so when his hotel manager guy, James Franciscus, tells him everything is okay, he believes him.  So what if the volcano right next door to the hotel is smoking and lava's bubbling like it's a fucking witches cauldron.  That's nature, baby!

And the volcano ain't the only thing blowing it's load around here...Holden proposes to his secretary (Jacqueline Bisset), but she's secretly seeing local oil man (Paul Newman); Franciscus is cheating on his wife (Holden's goddaughter) with a hotel employee who happens to be engaged to another employee who is secretly Franciscus' illegitimate half-brother!!!  What the hell?  That's a lot to take in.  It's awesome and so pointless!  I love it.

Poor looking special effects, medium pace that actually gets slower as the film goes on, random tidal wave, Jacqueline Bisset in a low cut t-shirt, people crowding a helicopter like it's a zombie movie, zero nudity, a glass-bottomed elevator thing that actually lowers people down into the volcano(!!!), lava bombs, silly story.  Honestly, the best thing about WHEN TIME RAN OUT... is the cast.  The movie's not very good (it kinda feels like an old made-for-TV movie), but it's fun watching all of these big names running around.  (Red Buttons' speed walk is goddamn hilarious!)  I have no regrets about watching it and will most likely watch it again occasionally...at least the first two acts.  The third kinda stunk. 

Rumor has it WHEN TIME RAN OUT... had a budget of $20 million and brought in less than $4 million at the box office.  Ouch.

Post-review thoughts: I have absolutely nothing to back this up, but while watching the film, I kept thinking to myself that the character of Mona seemed like it would be perfect for Shelley Winters.  The actress even seemed to act a little bit like Shelley, at least to me.  It wasn't until later that I discovered the actress, Sheila Allen, was actually producer Irwin Allen's wife.

IN HARM'S WAY (1965)

Reminiscent, at least to me, of FROM HERE TO ETERNITY, IN HARM'S WAY also tells the story of various military personnel and their wives, husbands and lovers in Hawaii during 1941/1942.  And at 165 minutes it packs in a lot of story.

U. S. Navy Captain John Wayne is on duty during the attack on Pearl Harbor.  Kirk Douglas is his executive officer.  They manage to get their ship safely away, but other problems arise when Wayne disobeys orders while trying to track down an enemy vessel.  He's stripped of command and sentenced to desk duty.  Kirk has it even worse when he finds out that his wife was off screwing some dude on the beach during the attack and killed!  Other characters include John Wayne's estranged son who is also in the Navy and has thrown in with a seedy officer; the seedy officer himself; a nurse who's wanting to knock boots with The Duke; Burgess Meredith as Wayne's roommate; Henry Fonda, Dana Andrews and Franchot Tone as officers and the ridiculously sexy Jill Haworth as a nurse involved with both Wayne's son and Douglas.  There's also a side story about officer Tom Tyron and his wife Paula Prentiss, but it could have been cut completely.

IN HARM'S WAY is a good watch.  Most of the dramatic scenes were excellent, but unfortunately the action scenes towards the end are terribly dated and kinda boring.  The film had my total attention when Kirk and Jill were on the beach or when Wayne was making googly-eyes at Patricia Neal, but then the model boats come out with water splashing around and I felt my attention fading.  Also, IN HARM'S WAY just lacks the sheer acting power and emotional charge of FROM HERE TO ETERNITY.  That movie was dynamite!  (Yes, I wrote that in Graham Chapman's voice.)

Entertaining watch with a impressive supporting cast, but dated.  Recommended for classic movie fans.