SHANE (1953)

"From now on, when we fight with them, the air is going to be filled with gunsmoke."

Wyoming, sometime after the American Civil War.  A cattle baron, Rufus Ryker (Emile Meyer), isn't happy with the smaller farms and ranches popping up on "his" land.  When the film opens, Shane (Alan Ladd), a gunfighter with a mysterious past (it's almost like he's an ex-gunfighter), is riding his horse past the homestead of one of the new farmers, Van Heflin and wife Jean Arthur.  They talk a little and as Fate would have it, right as he's about to leave...the cattle baron and his men show up and start talking mad shit.  Shane don't take too kindly to them flapping their lips, talkin' shit, so he sticks around as Helfin's peaceful farmhand.  The "peaceful" part last about a week, cause when they ride into town to get some supplies, some of Ryker's men start talkin' shit yet again!  Shane fisticuffs all up in their grills.  After that, Ryker hires a gunslinger (Jack Palance) to take care of things.     

I've seen SHANE a few times over the years and each time I enjoy it.  Strong cast, beautiful camerawork, steady pace...but is it really worthy of all of the extreme praise that it gets?  I, personally, don't think so.  Then again, I find kids in movies to usually be annoying as fuck and the kid in this movie is no exception.  Oh my God, I was hoping a horse would fall on him or something.  The whole movie: "Shaaaaannnneeeee!" over and over.  Vomit.  The scenes without the kid are much better though.  I especially enjoyed Elisha Cook Jr. and Jack Palance.

Not the greatest western ever, but definitely an above average one that deserves to be seen.  Especially by fans of classic westerns.  If you need me, I'll be in my room watching RIO BRAVO.

THE IMPATIENT YEARS (1944)

Opening in a divorce court Jean Arthur and Lee Bowman was a divorce...right now!  The judge is willing to grant them their wish, but when Jean's father Charles Coburn tells the judge (via flashback) what really happened and then devises his own plan to make them work for their divorce the judge agrees.  See, during the flashback we learn that Jean and Lee met a year and a half ago while he was on a four day furlough in San Francisco.  It was love at first sight so they immediately got a marriage license, but then they had to wait two days to get married.  They do and on their wedding night they had an out of this world fuckfest.  So much so that she got pregnant.  Now nearly a year and a half later Lee comes home on a 30-day furlough only to find that the woman he married is a total square!  Plus she lives with her father and some sniveling boarder who's secretly in love with Jean.  The initial meeting works out horribly, so they wanna call it quits and get a divorce, but the plan Coburn sells the judge is to force them to go back to San Francisco and retrace their steps for that entire four days.  I'm sure you can guess how it ends.

From what I've read the idea for this movie was to reunite the three stars of the previous years hit THE MORE THE MERRIER: Jean Arthur, Joel McCrea and Charles Coburn.  Now that would make a lot of sense, since TMTM is a delightful wartime romantic comedy that's still great even now. Arthur and Coburn both signed up, but McCrea didn't.  I don't know why, but if I had to wager a bet he probably got a whiff of that lame script and went running for the hills.

I love Jean Arthur and Charles Coburn, but you've got to have a script that works and chemistry between the two leads.  This one has neither.  With McCrea there would have been chemistry, but that still leaves the weak story.  The idea of a couple getting to know each other in a home environment after they've already been married and had a child is full of possibilities, but unfortunately everything in this possibility comes off as lazy, too convenient and forced.  Also the side story about the boarder a complete waste of time because first off it's never built up properly (the dude is a total wiener and Arthur isn't interested in him at all) and secondly it's never resolved!  One moment he's there, then boom movies over.

Lame story, zero chemistry between Lee and Jean, poor attempts at humor, interesting supporting cast with lots of familiar faces (including Luke Skywalker's Uncle Owen), slow pace.  The film had its moments (I got a good giggle out of the military guy at the dance club), but there's so much better stuff out there I wouldn't really worry about it.