Between 1950 and 1955 James Stewart and director Anthony Mann made five westerns together, this first pairing finds Jimmy Stewart and his buddy Millard Mitchell on the trail of Dutch Henry Brown (Stephen McNally)...a sidewindin', bushwackin', hornswagglin' cracker croaker that really pissed off Stewart, but we don't know why.
In the opening scene they catch up with him in Dodge City, but since there's no guns allowed in the city limits, they can't kill each other. Instead they compete in a shooting contest judged by Wyatt Earp! Grand prize: a highly-coveted "one-in-a-thousand" Winchester Model 1873 rifle. Stewart wins the gun only to have Brown and his men jump him, steal the rifle and skedaddle it out of town. From here on the story splits in two: one, the story of the rifle (and it's quickly changing owners) and the other, Stewart and Mitchell tracking down Brown.
WINCHESTER '73 is a great western and one of the coolest things about it is it's outstanding cast. Besides the two leads of Stewart and McNally you have Millard Mitchell, Shelley Winters, Will Geer, Rock Hudson, John McIntire, Dan Duryea, Stephen McNally, James Millican, Jay C. Flippen, Charles Drake, John Alexander, Tony Curtis, Abner Biberman, James Best, Steve Brodie and more! I mean, the whole time you're watching the film you're thinking to yourself "Holy crap! That's Teddy from ARSENIC AND OLD LACE! Charge!!!" or "Hey, there's Rosco from "The Dukes of Hazzard". It's a joy seeing so many familiar faces, even if sometimes it's just in the background.
Strong direction, legendary cast, impressive acting (I especially liked Shelley Winters), clever script, quick pace, beautiful scenery and cinematography. If you're a fan of Jimmy Stewart or just good movies then you can't go wrong with WINCHESTER '73.
Showing posts with label Rock Hudson. Show all posts
Showing posts with label Rock Hudson. Show all posts
Sunday, September 25, 2016
Saturday, December 12, 2015
PRETTY MAIDS ALL IN A ROW (1971)
Man I would love to know the story behind this picture! I can just
imagine how the initial pitch at MGM went: "Alright, last year those assholes
over at 20th Century Fox made a ton of dough with BEYOND THE VALLEY OF THE DOLLS
and we only got one film in the Top 20 Box Office list, so let's make our
own campy sex movie! We get Rock Hudson all furred up with sideburns and a
"Magnum P.I." mustache. He's got a hot wife but he's so hip, with his
peace signs and love pad guidance counselor's office, that these long-legged
teenage chicks in miniskirts can't keep their pussies off of him. He's
banging like 3 or 4 before lunch!!! Anyway, so here's the kicker:
every one of these chicks is dripping pussy juice all over the school for this
groovy old dude but whenever they ask him about leaving his wife...he kills
them!!!!!!!! It's brilliant. Slasher movies haven't been invented
yet, but it's gonna be just like a slasher movie, just without the gruesome
kills and the Final Girl. Get some other big names involved like Telly
Savalas, Angie Dickinson (we need to get her to bang some teenage boy also),
Roddy McDowall, a theme song sang by The Osmonds (sex comedy audiences love the
Osmonds!), throw in some
topless chicks
and this thing is going to be a hit! So whatta ya think?" "Go for
it, but make sure to throw in some corny dialogue that people can giggle at in
50 years."
When the film first started I was kinda taken back at how interesting the opening credits were with the horny teenager boy going to school and walking down the hallway, the whole time being bombarded with sexy chicks everywhere he looks. Suddenly, Rock Hudson shows up like some over-the-top 70's stud, slingin' ding-a-ling non-stop like John Holmes! It was great!!! Then...after like 30 minutes the film just stalled. It was weird. Instead of continuing with the same momentum of the opening act, the second and third acts don't really go anywhere. The girls were still beautiful, of course, but the story dies a slow death.
Worth watching if just for the oddity value of the whole thing. And I honestly would love to learn the truth behind the making of this movie. Oh yeah, I nearly forgot, this movie was produced and written by Gene ("Star Trek") Roddenberry.
When the film first started I was kinda taken back at how interesting the opening credits were with the horny teenager boy going to school and walking down the hallway, the whole time being bombarded with sexy chicks everywhere he looks. Suddenly, Rock Hudson shows up like some over-the-top 70's stud, slingin' ding-a-ling non-stop like John Holmes! It was great!!! Then...after like 30 minutes the film just stalled. It was weird. Instead of continuing with the same momentum of the opening act, the second and third acts don't really go anywhere. The girls were still beautiful, of course, but the story dies a slow death.
Worth watching if just for the oddity value of the whole thing. And I honestly would love to learn the truth behind the making of this movie. Oh yeah, I nearly forgot, this movie was produced and written by Gene ("Star Trek") Roddenberry.
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