America’s sinking? Time to drink my own piss!
Bad news, continental United States: A giant iceberg is droppin' it like it’s hot and causing a series of tsunamis and earthquakes that are going to sink North America...only, for some apparent reason.
I love disaster movies like THE DAY AFTER TOMORROW and GEOSTORM, so obviously I'm going to give something called AMERICA IS SINKING a chance. I mean, Christ, the whole fucking thing is going to be underwater! Unfortunately, AIS turned out to be a completely soulless cookie cutter mess. And I'm not saying that because it's a low-budget film. I love low budget actioners (Hell, DEADLY PREY is one of the greatest 1980’s movies of all time!), but AMERICA IS SINKING lacks any personality at all. One of the worst sins a movie can commit is being soulless. Take WHO KILLED CAPTAIN ALEX? for example, that movie probably cost less than a few thousand dollars to produce but yet it’s hilarious and super fun to watch. AMERICA IS SINKING on the other hand feels like it was churned out in a moviemaking factory / dungeon just to make a quick buck.
Honestly, the lack of entertainment gave me a headache, I need to go lay down. Maybe drink some water. Build up my urine reserves.
Skip it.
Showing posts with label disaster. Show all posts
Showing posts with label disaster. Show all posts
Tuesday, March 11, 2025
Wednesday, July 3, 2024
CRAWL (2019)
Moron dad ignores warnings to evacuate ahead of a Category 5 hurricane. Moron daughter goes off in search of her moron dad. Good news is she finds him. Bad news is he’s injured and trapped in the crawl space beneath his crib with multiple large ill-tempered alligators. All with nasty, big, pointy teeth.
The most surprising thing about CRAWL is it isn’t surprising at all. I usually enjoy killer animal movies and I love disaster movies, so I mistakenly thought that if you combine those two things with the director of the gnarly HIGH TENSION, that CRAWL would be an awesome bloodbath of alligators ripping people to shreds. Flinging intestines and bloody limbs into the air with gleeful abandon. Nope. The cinematography by Maxime Alexandre looks nice, but, outside of that, CRAWL is strictly by-the-numbers. Quick set-up of character backstories, put characters in dangerous situation, have characters scamper around as various side characters run up the low body count, have main characters learn lessons about family.
I remember seeing CRAWL in the theater and being mildly entertained, but disappointed by the final act. I had hoped that once it was released on home media that it would get a longer cut with added brutal violence, but that didn’t happen. It’s just the same old movie. Zero nudity, very little blood, forgettable looking sets that look like sets, unimaginative script, boring cast, disappointing ending.
Overall, CRAWL is watchable and mildly entertaining. I did like the dog though. She was super cute. I loved when she was swimming. Those back legs were kicking! They should make an alien invasion movie, but just make it about the dog from CRAWL and the cat from that boring ass A QUIET PLACE: DAY ONE. (Literally, the best minutes of that movie are when the cat ran off by itself.) No human main characters at all, just a cat and a dog’s journey across a Robert McCammon-style post-apocalyptic wasteland. Then they both die at the end.
After many harrowing adventures together, our two heroes are on the side of a hill that overlooks a large dead city. The sky is grey and the clouds low. The cat and dog walk together in silence, breathing out ghosts in the bitter cold. The dog misjudges a step and breaks one of his back legs on a loose rock. Before the dog even falls to the ground, the cat knows that they are doomed. Still, she does what she can to comfort her best friend. She brings him a small mouse to eat and nuzzles him. Then, as night settles and the deeper cold moves in, she cuddles up to him to keep him as warm as her little body can. He dies in the night. She feels his body cool next to her. In the morning, she knows that she is healthy enough to move on. But, she also knows that life is not worth living when one is truly alone.
The most surprising thing about CRAWL is it isn’t surprising at all. I usually enjoy killer animal movies and I love disaster movies, so I mistakenly thought that if you combine those two things with the director of the gnarly HIGH TENSION, that CRAWL would be an awesome bloodbath of alligators ripping people to shreds. Flinging intestines and bloody limbs into the air with gleeful abandon. Nope. The cinematography by Maxime Alexandre looks nice, but, outside of that, CRAWL is strictly by-the-numbers. Quick set-up of character backstories, put characters in dangerous situation, have characters scamper around as various side characters run up the low body count, have main characters learn lessons about family.
I remember seeing CRAWL in the theater and being mildly entertained, but disappointed by the final act. I had hoped that once it was released on home media that it would get a longer cut with added brutal violence, but that didn’t happen. It’s just the same old movie. Zero nudity, very little blood, forgettable looking sets that look like sets, unimaginative script, boring cast, disappointing ending.
Overall, CRAWL is watchable and mildly entertaining. I did like the dog though. She was super cute. I loved when she was swimming. Those back legs were kicking! They should make an alien invasion movie, but just make it about the dog from CRAWL and the cat from that boring ass A QUIET PLACE: DAY ONE. (Literally, the best minutes of that movie are when the cat ran off by itself.) No human main characters at all, just a cat and a dog’s journey across a Robert McCammon-style post-apocalyptic wasteland. Then they both die at the end.
After many harrowing adventures together, our two heroes are on the side of a hill that overlooks a large dead city. The sky is grey and the clouds low. The cat and dog walk together in silence, breathing out ghosts in the bitter cold. The dog misjudges a step and breaks one of his back legs on a loose rock. Before the dog even falls to the ground, the cat knows that they are doomed. Still, she does what she can to comfort her best friend. She brings him a small mouse to eat and nuzzles him. Then, as night settles and the deeper cold moves in, she cuddles up to him to keep him as warm as her little body can. He dies in the night. She feels his body cool next to her. In the morning, she knows that she is healthy enough to move on. But, she also knows that life is not worth living when one is truly alone.
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