[Note: For this review I watched both the 122-minute Theatrical Cut and the
142-minute Television Cut. Screenshots are from both versions, but mostly the
Theatrical Cut.]
At the California Seismological Institute, a lowly graduate assistant comes up
with some computations showing that a major earthquake is going to hit Los
Angeles...today. He tells his superiors, but they just won't listen. They
just won’t listen! Oh god why? Why!? Oh, the humanity! Across town, construction
engineer Charlton Heston is rumbling and grumbling about buildings not being
built beyond the current codes. He’s also rumbling and grumbling on top a
single mom while his old bag wife is at home faking suicide attempts and crying
to her father…who’s also Charlton’s boss. Yikes. At the same time, there are
multiple other pre-disaster stories going on, including Shaft riding a
motorcycle; ex-child preacher Marjoe Gortner as a peeping tom stalking a
pre-Dallas Victoria Principal; two nerds in an airplane having a boring
conversation; George Kennedy as a LAPD cop getting shitfaced in a bar while
Walter Matthau mumbles nearby.
For a mid-1970's disaster flick, EARTHQUAKE is mildly entertaining. I enjoyed
the buildup and seeing what was going on in everybody lives. I especially
enjoyed seeing Los Angeles in 1974. The earthquake itself looked great, but for
whatever reason, the post-earthquake scenes were mostly snoozers. They sound
promising on paper (flooding due to a busted dam, psycho soldier gunning down
innocent civilians, workers trying to escape a wrecked skyscraper, etc.), but
none of them really clicked with me.
Solid acting by a strong cast, good pace that slows as the film moves along,
disappointing ending, impressive stunts, truly impressive matte paintings and
models, animated blood, tons of vintage cars and fashions, Heston topless, Zsa
Zsa Gabor’s hedge, an accidental motorcycle accident and a really weird set
decoration where Victoria Principal has a photograph of her brother on her
apartment wall…but the picture is a still from a previous scene in the movie! It
brought to mind that brain-melting photograph in
LADY TERMINATOR.
EARTHQUAKE is totally worth watching for vintage disaster movie fans, but others
will probably find it dated and goofy.
Fun fact: you might be asking yourself how is the Theatrical Version 122 minutes
and the TV Version 142 minutes long? Good question. EARTHQUAKE was originally
released in the theaters in 1974 and then broadcast on NBC in 1976. They wanted
to make it into a two-night “event”, but the film wasn’t long enough, so they
added a few scenes that were previously deleted and then, in a truly bizarre
turn of events, they filmed new scenes and added them into the movie to pad the
runtime! Not only does this included new characters, but they even called back
some of the original actors to film more scenes!
I’ve also read that in some television markets, the audio to the film was
simulcast on a local radio station so you could really crank up the scenes of
Ava Gardner and Charlton Heston fighting. And, I guess, the earthquake also.
Showing posts with label Genevieve Bujold. Show all posts
Showing posts with label Genevieve Bujold. Show all posts
Friday, March 31, 2023
Friday, August 16, 2013
COMA (1978)
Tense medical thriller about a doctor (Genevieve Bujold) who starts to notice
strange things going on at her hospital. It seems that an unusual number
of healthy people are going into a coma after seemingly normal procedures.
Any efforts to investigate or take the matter up with the hospital management
are met with resistance. She then starts investigating on her own.
COMA is a very well-made film. It looks great and the acting by the impressive cast is top-notch, the only thing that threw me off was why didn't Genevieve's character ever contact the police or even a local news station or newspaper?
COMA is a very well-made film. It looks great and the acting by the impressive cast is top-notch, the only thing that threw me off was why didn't Genevieve's character ever contact the police or even a local news station or newspaper?
COMA fits in well with other paranoia films of the time (THE STEPFORD WIVES, INVASION OF THE BODY SNATCHERS), but unlike those films (where the main victim was pretty much helpless or unaware) the victim here has many, many chances to contact outside help. Other than that aspect, I liked the film and found the story idea to be really creepy. Worth watching for fans of 1970's Cinema.
Pointless observation: If you look up the location of the Jefferson Institute
on Google Maps (191 Spring St. Lexington, Massachusetts), as of August 2020,
they really fixed up that building to look way less sinister and creepy.
Lots of new windows and a new outdoor sitting area. They even got rid of that
awful pointy curb that people were probably blowing their tires out on.
Camera crew in reflection.
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