Showing posts with label Ida Lupino. Show all posts
Showing posts with label Ida Lupino. Show all posts

Wednesday, August 5, 2026

WHILE THE CITY SLEEPS (1956)

Solely based on the lurid posters and DVD cover, you would think that WHILE THE CITY SLEEPS was a straight up pre-PSYCHO horror movie about a serial killer preying on innocent women. But, just like how Jesus says in Matthew 7:46: “And Jesus said unto Asmodeus, ‘Don’t judge a book by its cover.’”, so should you not judge WHILE THE CITY SLEEPS by it’s artwork.

After a mildly startling opener featuring a poor woman who just wants to take a bath without getting murdered, we’re introduced to media mogul Robert Warwick who’s so attached to his job that he has his literal death bed in his office! He has two regrets in his life: one, his shitty douche of a son (played brilliantly by Vincent Price) and two: not officially naming faithful TV anchorman Dana Andrews as the person to take over his empire when he croaks…which he does like 5 seconds later. His death puts Price in charge and his first order of business is pitting his main bosses into an all out war with each other. And that includes one dude who’s long-dicking Price’s own wife! Goddamn! Added to all this (don’t forget we still got a serial killer running around) there’s a subplot about Andrew’s fiancĂ©, Sally Forrest, who also works at the news network and happens to live across the hallway from Price’s wife’s fuck shack! And, if that wasn’t enough, you have writer Ida Lupino getting in the middle of everything. It’s awesome.

As always, I went into the movie totally blind and I ended up having a lot of fun. I was straight-up shocked by the star-power in the movie (both in front and behind the camera) and very impressed by the maturity of the script. Overall, I found WHILE THE CITY SLEEPS to be a great discovery (to me, at least) and recommend it to fans of older Hollywood. The only thing that really stood out as a negative was Sally Forrest's hair.

Not part of the review, but a few interesting(?) things that I discovered while reading about the movie: the original 1953 novel, named "The Bloody Spur" (no clue what the fuck that means) was written by Charles Einstein who is the half-brother of both Albert Brooks and Bob Einstein! The killer was played by John Drew Barrymore, who is the son of John Barrymore and the father of Drew Barrymore!

Friday, February 14, 2014

ROAD HOUSE (1948)

Richard Widmark is the owner of a popular road house that features a bar, a bunch of bowling lanes, a hang out area and a live piano singer.  After recruiting a sultry singer (Ida Lupino) from out of town, he starts to fall for her.  Unfortunately she falls for the road house's manager (Cornel Wilde).  Things get a little heated and next thing you know Widmark has framed Wilde for stealing from the payroll and then in a completely ludicrous, or should I say...Seinfeldish, (Remember the butler storyline?) turn of events Wilde has his 2 - 10 years prison sentence suspended under the condition that he's put on probation in the care of Widmark for 2 years!!!  What kind of wacky shit is that?!  Not only did he get framed, but now his punishment is to be the perpetrator's slave for two years?!!  As you can guess, Wilde doesn't take too well to being Widmark's slave.  Lupino isn't too happy about it either, so things get a little shooty.

From a filmmaking standpoint ROAD HOUSE is fine.  It looks good, the sets look alive and the acting is way better than that weak script deserves.  It's nice to see Lupino in a strong role and Widmark is always great when he's sleazy, but couldn't maybe he have blackmailed Wilde and Lupino instead of having to stretch the limits of believably by Wilde be his court appointed slave?

Interesting film with good acting, but I wish the story had made more sense.  Worth a watch for classic movie fans.