Showing posts with label Clive Owen. Show all posts
Showing posts with label Clive Owen. Show all posts

Saturday, May 10, 2014

CHILDREN OF MEN (2006)

In the year 2027, the world has been stricken with two horrible afflictions.  In the first, all women have become infertile.  Without a baby being born in 18 years humans have lost all hope and everything has turned into chaos.  The second even more disastrous problem is cameras can no longer stand still.  They have to move all the time.  Even when it's not an action shot and it's just two people standing still talking about something serious, the camera is compelled to jiggle around all over the joint.  It's distracting, heartbreaking and sad, sad, sad.

For some reason the people in this movie don't even seem concerned about the punch drunk cameras.  Instead they selfishly spend all of their time trying to get a recently discovered pregnant woman to safety.  That's a lot harder than it sounds because Britain (where the film is located) is now the only functioning government left in the world, but just barely.  For the most part the entire country has turned into a George Orwell police state nightmare.  Former activist Clive Owen is recruited against his will by his ex-wife (Julianne Moore) into helping a young girl get to the "Human Project", another activist group that is rumored to have scientists specializing in infertility.  Stuff happens and next thing Owen knows he's in the thick of it with people from all sides trying to kill him.

I enjoyed CHILDREN OF MEN.  The story is interesting, the pace is good and some of the action sequences were impressively filmed.  But that goddamn camera was too much for me.  Purposely raw documentary style camerawork is okay for short periods of time.  When Takashi Miike used it briefly in 2003's YAKUZA DEMON with the rain splattering on the camera lens is was awesome (also his budget was probably 1/60th of what they used here), but in CHILDREN OF MEN the entire movie is filmed that way and it gets old quick.  I'm sure some people enjoy it and praise how it transports the viewer into the disorder of the the film, but to me it was just distracting.   After awhile I found myself paying more attention to the corners of the screen than the action on the screen.

Worth a watch, but I wish the story had been introduced a little better at the beginning, the overall story darker and the camerawork steadier.  Seeing Michael Caine playing air guitar to a bastardized version of Aphex Twin's "Omgyjya Switch 7" was pretty funny though.

Sunday, January 5, 2014

GOSFORD PARK (2001)

Sir William McCordle is throwing a dinner party/shooting weekend at his massive country estate.  All of the upper class guests gather upstairs, while all of their servants are busy downstairs preparing for the weekend.  The first half of this intriguing film sets up the back stories of all of the characters stories and since there's probably a dozen main characters, there's not a wasted moment or shot.  Every second the overall story is moving forward and getting more and more interesting until there's a double murder!  And I don't mean two people getting murdered, but one character getting murdered twice!!  Who could have possibly done it?  Well, as we learn more about the murder victim, it ends up he was actually such a brutal and dastardly fellow it's probably easier to guess who didn't have a reason for wanting to see him dead.

GOSFORD PARK is a delightful film that is so rich that it can been seen over and over again and still pick up little things you missed before.  One interesting thing the filmmakers did was have the story told from the aspect of the downstairs staff.  So that way we, the viewer, only gets to see what's going on upstairs if there is a service member present.  That's a very clever idea.

An impressive ensemble cast overflowing with talent, a great little whodunnit mystery, beautiful locations and sets, quick pace, GOSFORD PARK is a great film.  The only weak part, to me, was Ryan Phillippe.  He's not bad by any means, but next to such an outstanding cast he just can't hold his own.  From what I've read Jude Law was originally suppose to to be in that role and I agree, he would have been a better choice.

Now I'm in the mood to watch some "Midsomer Murders".