Showing posts with label Dianne Wiest. Show all posts
Showing posts with label Dianne Wiest. Show all posts

Monday, December 6, 2021

FOOTLOOSE (1984)

"When you've burned all of these, what are you gonna do then?"

Twenty-six year-old high school student Kevin Bacon is bummed when his family moves from Chicago to a small town in Utah. He’s even more bummed when he discovers that not only is every other student in his new high school is at least 20 years-old, but the town has outlawed dancing and popular music! What the hell is going on here? Did he accidentally time-travel to 1939 Germany or America in 2050? Nope, he’s still in the 1980's, but these close-minded, pre-Fox News, book-burning, Bible-thumping Fascist wannabes really, really hate Kenny Loggins. So now it’s up to Kevin to add a little bacon to the No Fun Club members diet and show them how to rock! Even if he has to interpretive twerk out the lyrics to “We’re Not Gonna Take It” at a town council meeting!

From a purely filmmaking standpoint, FOOTLOOSE is only slightly above average with an overly simplified story, uneven pacing and wild mood swings. Not to mention being dated as fook nowadays. However, from an entertainment/cultural history standpoint: FOOTLOOSE is a goldmine! Especially if you’re into popular 1980’s American Cinema. Above average acting by a strong cast, a great soundtrack that sold over 9 million copies, lots of dancing, beautiful scenery, awesome 80's fashions, Kevin Bacon struttin’ his hot shit all over the place. FOOTLOOSE is a blast and one that I’ll happily revisit many times before I vogue my way into that great gay bar in the sky. That’s not to say there isn’t any flaws though, because there definitely is. The biggest one is the overall story should have been more upbeat. Also, the relationship between Chuck and Ariel is too dark. People watch FOOTLOOSE wanting to see upbeat dancing, teenagers standing up to oppression and people being happy…not some weak-minded hick assaulting his girlfriend!

One of the many great things about FOOTLOOSE, at least in my handsome brain, is just how ripe it is for expansion and other story ideas. It is literally endless. A few random thoughts I had while re-watching it for this review: (1) the ringleader of the book-burners is angered over Rev. Moore’s rebuke and while the kids are having their dance party he and his gang block the exits at the grain mill and burn it down. Killing all of the kids…which, of course, could lend to an extremely violent and graphic horror ghost-revenge sequel. (2) This has probably been done many times, but it would be a lot of fun to re-edit the audio in the music scenes to feature different music. This could honestly be done thousands of times and always be funny.  Example: in the scene where Bacon is driving into the high school parking lot blasting Quiet Riot's "Metal Health (Bang Your Head)", instead play Tear Da Club Up Thugs "Hell Naw". (3) Borrowing from the mandatory BIM dance scene in THE APPLE, you could go for a completely opposite story where a teen moves into a small town that is controlled by a pro-music cult that forces everybody to dance non-stop.

Overall, FOOTLOOSE is dated, but still a fun film. Definitely worth checking out. If you don't like it, then you're probably a busta.

Double-feature with BLACK ROSES.

Sunday, September 14, 2014

SEPTEMBER (1987)

Following a failed suicide attempt, Mia Farrow is holed away at her family's country home in Vermont.  As the film begins she has been there for a few months and summer is drawing to a close.  She longs to return to NYC and restart her life...her life with an aspiring writer (Sam Waterson) who has been renting the guest house.  Early in the summer they had drawn close and even made love, but now Sam is more interested in Mia's married visiting friend Dianne Wiest.  Added to this triangle is a neighbor, Denholm Elliott, who is in love with Mia.  And added on to that is Mia's mother and stepfather (Elaine Stritch and Jack Warden) dropping by for a visit.  Mia has a very strained relationship with her mother.

SEPTEMBER is not a happy film.  Anybody looking to see a funny Woody Allen movie will be disappointed in that respect, but they will be treated to a wonderfully written story filled with very flawed and very human characters.  And with only six principal characters and one-hundred percent of the events happening within the confines of the house, SEPTEMBER is structured like a play.  It's not often that you see a film made this way and I thought it was wonderful.  The most impressive thing about SEPTEMBER though is Mia Farrow's performance.  Absolutely heartbreaking.

Overall, it's not as impressive as INTERIORS, but I think INTERIORS was going more for the Bergman vibe while SEPTEMBER was going for the Chekhov vibe.  Either way it's triumph of filmmaking.  Highly recommended.