Down and nearly out hucksters Warren William and Allen Jenkins hit the jackpot
when they come up with the idea of changing their carnival act to a psychic mind
reader act. Almost immediately, they're rolling in cash and life is
sitting pretty...until Warren falls for an innocent girl who actually
believes in his psychic powers.
Made in 1933, THE MIND READER is one of the last Pre-Code films and although
it's extremely tame by today's standards it's pretty easy to see how this
film could have irked the morality police. The entire mood of the film is
dismissive towards the public in general; one of the main ways the psychic makes
money is from talking about cheating husbands; a carnival worker discusses the
negative part about messing with girls on the road by saying “The minute they get in court, they’re all 16 and under!” and then when one guy is sent to prison he says “It sure must be tough to be going away just when beer’s coming back!”; one girl is upset that the psychics advise ruined her marriage so she opens
an elevator shaft door and jumps to her death! Wow.
For those interested in films from this era, THE MIND READER is a lot of fun and
it still feels kinda modern in a weird way. Strong performances, daring
script, the underrated Allen Jenkins, quick pace, Mayo Methot before she married
Humphrey Bogart. Recommended.
Showing posts with label Warren William. Show all posts
Showing posts with label Warren William. Show all posts
Saturday, May 18, 2013
Friday, August 10, 2012
CLEOPATRA (1934)
I'm sure Cecil B. DeMille's 1934 epic CLEOPATRA is about as historically
accurate as STARSHIP TROOPERS, but I enjoyed it. It opens with Cleopatra tied up
and taken out into the desert where she's dumped off and told that if she
returns she will be killed. That's not stopping her though, because she knows
that Caesar is coming, so she uses all her charms to seduce him. Naturally this
doesn't sit pretty with Caesar's wife back home so all kinds of stuff pops
off.
Fans of older cinema will enjoy the spectacle of it all (the costumes, the crowd scenes, the sets, Claudette Colbert vamping it up), but without any nudity, excessive violence or CG effects I think modern audiences would probably find it to be a bore.
If you need me I'll be in my room watching "Rome".
Fans of older cinema will enjoy the spectacle of it all (the costumes, the crowd scenes, the sets, Claudette Colbert vamping it up), but without any nudity, excessive violence or CG effects I think modern audiences would probably find it to be a bore.
If you need me I'll be in my room watching "Rome".
Henry Wilcoxon was in the movie business for over 50 years! He even
showed up in CADDYSHACK!!!
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