After two cops illegally break into a sporting goods store, where they are ruthlessly murdered by a
“karate weirdo”. The police enlist the help of local karate champion
Chuck Norris to train them in the fine art of kicking and punching things. He’s
reluctant to help them though, since he’s busy training for an upcoming championship bout
against the only other martial artist in the area capable of giving Chuck a run
for his money. Hum, that’s interesting…people keep getting beat to death in
karate ways and there’s only two people in town capable of that kind of karate
violence. Wonder who the killer could be?
As far as Chuck Norris’ early period films go, A FORCE OF ONE is about as lame
and anti-exciting as the others. (Although I am somewhat fond of
SILENT RAGE
since it’s kinda like a slasher movies.) Slow pace, zero awesome fight scenes, weird editing, lots of overacting extras in the background, mid-level acting. Then add onto
that: zero nudity, zero blood, zero gore, zero cussing and A FORCE OF ONE might
as well had been a made-for-TV movie! The only thing that might be interesting
for modern day movie nerds is the few, random vintage street scenes (I would love to know the name of that movie theater playing LASERBLAST, MESSAGE FROM SPACE and HIGH VELOCITY!) and the supporting
cast, which features various familiar faces like Clu Gulager, James Whitmore
Jr., Ron O’Neal, Jennifer O’Neill and G.W. Bailey.
Also, I don't understand the movie tagline that's featured on the poster and
newspaper ads:
"He hears the silence. He sees the darkness. He's the only one who can stop
the killing." He must also be the only one who knows what the fuck that even means. Cuz there's nothing supernatural or overly
special about Chuck's character, he's just a dude who runs a karate school. So why, on the poster, is he all naked in a glowing outer space triangle while giving double, below the waist "circle game" gang signs?
Worth a watch if you're curious and bored to death.
Oh yeah, what was the story with the woman who worked at Chuck's mojo dojo karate dojo? I didn't understand their relationship at all.
[This has nothing to do with the review, just a bonus SILENT RAGE newspaper ad featuring the art for A FORCE OF ONE.]
Happyotter
My thoughts on whatever shit I happen to watch.
Monday, November 10, 2025
Wednesday, November 5, 2025
TRESPASS (1992)
Two honky firemen (William Sadler and Bill Paxton) from Crackersville, Arkansas come across a treasure map showing the location of some stolen gold. Problem is the gold is hidden in a factory in East St. Louis which is long closed and now included in the stomping grounds of a violent gang led by King James (Ice-T). But, eh, they being normal peckerwoods and, eh, on a treasure hunt, well they were not going to let a gang of homicidal killers spoil the events of their afternoon. On a day out. It was a day out they were going to remember for a very long time.
TRESPASS is probably one of the most straight-forward 1990’s action movies of all time. There’s zero build-up, zero character introduction, zero flashbacks or side stories, zero sex, zero females, nothing. (Hell, goddamn DEADLY PREY had more story than this movie!) Not that I’m complaining. I actually found the entire wham, bam thank you ma’am (or mx or sir or sirma) approach to be amusing. The film kinda feels like reading a no frills, action-packed short story. I'm surprised there hasn't been a remake.
Solid acting, lots of dramatic pulling out of cell phone antennas (that actually might make a good drinking game), vintage slang, vintage cars and fashions, zero CGI, impressive lower budget stunts, zero nudity. TRESPASS isn’t the height of action cinema or anything, but the first two acts still hold up all these years later. The third act? Not so much. It falls off the rails pretty had during the last 30 minutes or so. Still, it’s always fun to watch Bill Paxton freaking out. That alone is worth watching the movie.
Recommended for all fans of older action movies. Double-feature with JUDGEMENT NIGHT.
Oh yeah, this has nothing to do with the review, but while looking for newspaper ads I noticed that this film was released on Christmas Day, 1992. Who the fuck thought that was a good idea? No wonder it didn't even make it's budget back at the box office.
Now this really, really has nothing to do with the movie, but I was curious about East St. Louis (yes, I know the movie was actually filmed in Atlanta and Memphis), so I started driving around East St. Louis on Google Maps and I found this legendary pothole. I just wanted to share. Imagine hitting that motherfucker late at night in a rain storm!
TRESPASS is probably one of the most straight-forward 1990’s action movies of all time. There’s zero build-up, zero character introduction, zero flashbacks or side stories, zero sex, zero females, nothing. (Hell, goddamn DEADLY PREY had more story than this movie!) Not that I’m complaining. I actually found the entire wham, bam thank you ma’am (or mx or sir or sirma) approach to be amusing. The film kinda feels like reading a no frills, action-packed short story. I'm surprised there hasn't been a remake.
Solid acting, lots of dramatic pulling out of cell phone antennas (that actually might make a good drinking game), vintage slang, vintage cars and fashions, zero CGI, impressive lower budget stunts, zero nudity. TRESPASS isn’t the height of action cinema or anything, but the first two acts still hold up all these years later. The third act? Not so much. It falls off the rails pretty had during the last 30 minutes or so. Still, it’s always fun to watch Bill Paxton freaking out. That alone is worth watching the movie.
Recommended for all fans of older action movies. Double-feature with JUDGEMENT NIGHT.
Oh yeah, this has nothing to do with the review, but while looking for newspaper ads I noticed that this film was released on Christmas Day, 1992. Who the fuck thought that was a good idea? No wonder it didn't even make it's budget back at the box office.
Now this really, really has nothing to do with the movie, but I was curious about East St. Louis (yes, I know the movie was actually filmed in Atlanta and Memphis), so I started driving around East St. Louis on Google Maps and I found this legendary pothole. I just wanted to share. Imagine hitting that motherfucker late at night in a rain storm!
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