Saturday, September 17, 2016

THE DAY AFTER (1983)

"What's going on? Do you understand what's going on in this world?"

"Yeah. Stupidity...has a habit of getting it's way."

As the story goes, THE DAY AFTER was a huge cultural TV event when it was originally broadcast (on ABC) just a few days before Thanksgiving on November 20, 1983.  It was reportedly watched by over 100 million Americans.  Which, considering there was only 233 million Americans around back then, is pretty goddamn impressive!

Opening with some documentary style footage of American military guys talking really super serious while onboard an Strategic Air Command aircraft, the story then shifts to the lives of various simple Americans living their lives in the towns along the border of Kansas and Missouri.  You got Jason Robards as doctor with a loving family; Steve Guttenberg as a student; JoBeth Williams as a nurse; John Cullum as the head of a family that lives on a large farm and John Lithgow as a professor.  For 45 minutes or so, we're brought up to speed on these people's lives.  The whole time there's various news reports playing in the background talking about the growing tensions with Russia.  People are scared, but they go about their normal lives and then...BOOM!  Nuclear missiles start flying out of the nearby silos and all Hell breaks loose.  People start rioting and trying to get out of town, but before you can say "radioactive baboon testicles" the Russian missiles reach their targets and it's "Goodbye, Kansas."

Everything blows the fuck up and the people that are left after the smoke clears are all fucked up.  Not as fucked up as the survivors in the next year's THREADS, but still screwed all the same.  Radiation sickness, lack of food, lawlessness, no shelter from the elements, no more Netflix.  It's Hell on Earth, but unfortunately since this is a made-for-network-TV movie we never see much more than a mass grave and unwashed people with their hair falling out.  The story is dark, but the events shown on-screen are tame.

Still, it's a good movie and a very interesting glimpse into early 1980's American culture.  Especially, if you go online and look for videos of all of the original commercial breaks shown during the original broadcast and then watch the ABC News special that showed immediately after the movie.  Hosted by Ted Koppel and featuring Carl Sagan, then current Secretary of State George Shultz,  former Secretary of State Henry Kissinger, William F. Buckley, Jr., former Secretary of Defense Robert McNamara, General Brent Scowcroft  and Elie Wiesel.  It's a fascinating watch and the one female audience members question (around the 45 minute mark) is even more important today than it was in 1983.

Above average acting (even by Steve Guttenberg), restrained script, mediocre direction, an unwed woman arguing with her teenage sister about her diaphragm, bland camerawork, cool explosion scenes (I loved the skeleton effects), disappointing ending.  THE DAY AFTER isn't the best nuclear war movie ever, but it does play an interesting part in world history in that it helped bring attention to the subjects of nuclear war and nuclear winter.  Definitely worth watching.

If you need me, I'll be in my fallout shelter wearing my Church of the Children of Atom robes and praying to Atom that HBO will make a high-budget, CHERNOBYL-level miniseries based on the Robert McCammon masterpiece, "Swan Song".
Maybe I'm giving the filmmakers too much credit, but when the silo doors opened up and the nuclear missiles started blasting off, they showed this white horse and it brought to mind how in the Bible, Revelation 6:1-2 says: "And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.  And I saw, and behold a white horse..."

Friday, September 16, 2016

ROCK 'N' ROLL HIGH SCHOOL (1979)

The students of Vince Lombardi High School love rock music and (for whatever illogical movie logic reason) this love of rocking out keeps driving their principals insane.  Like literally.  So before the last principal can even be shipped off to the nuthouse, the school board brings in the new principal: Miss Togar.  Miss Togar (Mary Woronov) hates rock music, so it's only natural that on her first day as principal she butts heads with "Number 1 Ramones fan" Riff Randell (P.J. Soles).  And to make matters even worse: Riff has to miss three days of school in order to wait in line to buy everybody at school tickets to the upcoming Ramones concert.

That's about as deep as the story gets, but it fits the playful mood of the movie perfectly.  I've watched ROCK 'N' ROLL HIGH SCHOOL dozens times since I was a teenager and watching it again just a few minutes ago I still got lost in the energy of the movie.  It's entertaining as hell right from the opening scene but then when the Ramones show up in person about halfway through...the excitement level goes right off the charts!  I loved the Ramones concert scenes so much that I watched them like four or five times.

Without even having a way to know it, the filmmakers captured the Ramones at the height of their post-Tommy Ramone power and because of that alone ROCK 'N' ROLL HIGH SCHOOL is a one-of-a-kind treasure of American culture.  They couldn't act for shit, but goddamn their screen presence was amazing.

Human-sized rats, great cast (a few of them probably giving the best performances of their careers), the fakest-looking TV camera in movie history, The Real Don Steele, off-screen birds chirping out "cheap...cheap" when the New World Picture copyright shows up in the opening credits, lightening-fast pace that never lets up for a moment, the promise to give Mr. McGlup a visit, a van with a badass paint job, somebody looking for Carbona, awesome 70's hairstyles on the girls, uncredited Joe Dante direction when director Allan Arkush was hospitalized for exhaustion, tons of great quotable lines, Dee Dee smiling.

ROCK 'N' ROLL HIGH SCHOOL is mandatory viewing for all lovers of stuff that was awesome in the late 1970's. Double-feature with A HARD DAY'S NIGHT.

If you need me, I'll be in my room tossing slices of pizza at my Mick Jagger poster.
Tommy