Tuesday, July 24, 2018


Los Angeles.  An older, professional hitman (Charles Bronson) takes a younger man (Jan-Michael Vincent) under his wing as both a protege and assistant.  After that, things start to get a little gay, but not really since the studio chickened out on the original story and instead ended up with a garbled film that doesn't seem to know what it wants to be.

The assassination portions of THE MECHANIC are entertaining enough in a dated, early 1970's action movie sort of way, but the character development is weak.  According to Wikipedia, Lewis John Carlino's original script was suppose to be "...a commentary on the use of human relationships and sexual manipulation in the lives of two hired killers. It was supposed to be a chess game between the older assassin and his young apprentice."  That actually sounds interesting, but unfortunately, that's not what ended up on screen.  At all.  I wish, that, if the studio was gonna purge the gay stuff (and therefore the main subject of the script!), they would have just made another movie altogether.  Instead, the audience is left with a confused mess about two single men who, when not murdering people together, hang out together 24/7 and stare at each other longingly.

Confused pace that alternates between slow and fast, zero nudity, mildly entertaining kills, one nice car-pushed-off-a-cliff wreck, okay acting, boring dialogue, goofy scenes of Bronson acting sophisticated while thinking really hard, a 16-minute section where there is zero dialogue, two men at the zoo touching fingers.

THE MECHANIC is entertaining enough for a single viewing, but I have no desire to ever watch it again.

Remake - The Mechanic
Remake, Part 2 - Mechanic: Resurrection