Set in a prisoner-of-war camp in Nazi Germany STALAG 17 tells the story of a
group of American soldiers who are constantly working on a way to escape.
The film opens with two soldiers making their way through a tunnel a bunch of
the guys have been working on. They get all the way to the other side of
the fence only to find guards waiting on them...guns blazing. How did the
guards find out about the tunnel? It was top secret. There's gotta
be a rat in the barracks. But who could it be? It's probably Sefton
(William Holden). That piece of shit is always making deals with the
guards to look the other way on all of his schemes. Motherfucker has more
cigarettes than Philip Morris himself! And so it begins. The men
turn on Holden, thinking he's to stooge, but he's not. Now, under constant
surveillance and ass-kickings, Holden has to figure out who the rat is himself.
STALAG 17 is nearly a great film. The thing that holds it back from being
a great film is the unneeded comedic elements. I understand that Billy
Wilder always enjoyed mixing genres, but watching this film now the comedic
parts are so horribly dated(?) and unfunny that they're almost painful to watch.
The tension's going along good when suddenly you got two morons singing, dancing
and slapping a guard in the face with a wet paint brush. I guess audiences
liked it though since Robert Struss actually got a Best Supporting Actor
nomination for his ridiculous performance! Holden ended up winning the
Oscar for Best Actor, but I think it should have gone to Montgomery Clift for
FROM HERE TO ETERNITY
instead.
Minus the "funny" parts STALAG 17 is an excellent film. Strong cast, great
looking sets, compelling story with lots of tension. Definitely worth a
watch.