"I'm am insane, and you are my insanity."
In 2035 the surface of the earth is so fucked by a virus that the remaining
humans are forced to live underground in a steampunkish world of gears, hoses,
goggles and random gauges. Despite the fact that everything looks like the
inside of a WWII submarine, they've somehow developed a rudimentary form of time
travel. Prisoner Bruce Willis is "volunteered" to go back to 1996
to follow up on some clues mysterious about the source of the
virus. But, since this is a rough science, they accidentally send him back
to 1990 (instead of 1996) and he's promptly tossed in an insane asylum.
There he meets sexy doctor Madeleine Stowe and fellow crazy inmate Brad Pitt
(you know he's crazy because he moves his fingers a lot). Maybe
this is where the idea for it all started because when Bruce mentions
humanity being stuck down by a virus it peaks the interest of Pitt, who's father
just happens to own a laboratory capable of creating a deadly virus. As
Willis is whisked back and forth throughout time he begins to question his own
sanity.
I remember seeing TWELVE MONKEYS opening weekend in the theater and liking
it. Watching it again now for this review, the special effects haven't
aged well, but it's still an interesting story. Solid performances by
Bruce Willis and Madeleine Stowe, standard Terry Gilliam visuals that would have
looked better with a higher budget, time travel elements we've seen better
elsewhere, David Morse going incognito with a long orange ponytail and a bright
yellow jacket, cinematography by Roger Pratt who also did BRAZIL. Worth a
watch.