Following a failed suicide attempt, Mia Farrow is holed away at her family's
country home in Vermont. As the film begins she has been there for a few
months and summer is drawing to a close. She longs to return to NYC and
restart her life...her life with an aspiring writer (Sam Waterson) who has been
renting the guest house. Early in the summer they had drawn close and even
made love, but now Sam is more interested in Mia's married visiting friend
Dianne Wiest. Added to this triangle is a neighbor, Denholm Elliott, who
is in love with Mia. And added on to that is Mia's mother and
stepfather (Elaine Stritch and Jack Warden) dropping by for a visit. Mia
has a very strained relationship with her mother.
SEPTEMBER is not a happy film. Anybody looking to see a funny Woody Allen
movie will be disappointed in that respect, but they will be treated to a
wonderfully written story filled with very flawed and very human
characters. And with only six principal characters and one-hundred percent
of the events happening within the confines of the house, SEPTEMBER is
structured like a play. It's not often that you see a film made this way
and I thought it was wonderful. The most impressive thing about SEPTEMBER
though is Mia Farrow's performance. Absolutely heartbreaking.
Overall, it's not as impressive as
INTERIORS, but I think INTERIORS was going more for the Bergman vibe while SEPTEMBER was
going for the Chekhov vibe. Either way it's triumph of filmmaking.
Highly recommended.