Wednesday, April 13, 2016

LADY IN A CAGE (1964)

Now here's an interesting (and gritty) little gem.  Released in 1964, at the height of the 60's Psycho-biddy subgenre's popularity, LADY IN A CAGE tells the story of a controlling middle-aged woman (Olivia De Havilland) who lives in a nice home in what used to be in an upscale neighborhood, but isn't so upscale anymore.  One morning she's riding up the small elevator that she had installed to help her recovery from a broken hip and the power goes out.  This is decades before cell phones so her only options are to break out and drop (her hip prevents her from doing this) or activating the emergency alarm that rings a bell outside the house.  Sounds...useless.  She rings the bell, but the only person who hears it is a drunken wino (Jeff Corey) who promptly breaks in and starts ransacking the place.  He does such a sloppy job of it that he attracts the attention of a trio of psychopaths (lead by a young James Caan) and they soon join in on the fun.  Things quickly get violent.

LADY IN A CAGE is a fascinating film that I would love to know more about.  The opening credits seem reminiscent of Saul Bass' title design sequence in PSYCHO, the story holds a very pessimistic view of a rapidly changing society, foreshadowing (dead dog), great wacked-out performances by the entire cast, but I think the thing that intrigued me the most was the early hippie, pre-Charles Manson Charles Mason-ish portrayal of the three main psychopaths.  I loved how Caan wore high water jeans with darken back pockets, Jesus sandals and a tied-up shirt.  It's a very California beatnik look (...at least from what I've learned in movies).  And I might be imagining things, but, at moments, Rafael Campos' unhinged performance looks a lot like Edwin Neal's brilliant performance in THE TEXAS CHAIN SAW MASSACRE 10 years later...the deranged look in his eyes, the uptick of the mouth, skinny unwashed body, his playfulness with the intended victims, the cat-like movement of his body, the gleeful way he looks at his knife, etc.

Well, anyways, I'm babbling, but if you're into the grittier side of older movies you should definitely check out LADY IN A CAGE.  It's dated (and campy), but I bet back in early 1964 this film packed a wallop.  Especially seeing Olivia de Havilland in a role that was such a departure from what she was known for.

Tuesday, April 12, 2016

POLTERGEIST (2015)

As far as soulless horror remakes go this POLTERGEIST remake was..watchable.

If you've already seen the original, then you already know the story: suburban family of five, little girl talks to ghosts in the TV, things go bump in the night, the creepy tree grabs the boy, the little girl gets pulled into a portal in the closet, paranormal investigators are called in, gadgets and cameras, a rope is put into the closet portal and exits out of the living room ceiling portal, girl's rescued, ghosts are still pissed, family drives away.  The End.

I wasn't expecting much from this needless remake and I didn't get much.  The whole thing was just a pointless cash grab.  I could talk about how the added "financial hardship" storyline made little sense, but honestly it probably just comes down to the writers being lazy or simply not caring.  Poor acting, charmless story, average special effects, teenage daughter looking hot as fook, a song by Bleached, unsatisfying ending, no neighbors and a guy with a dorky hat.

Seeing talented actors like Jared Harris and Sam Rockwell wasting their time in soulless fluff like this kinda made me sad.

Part 1 - Poltergeist (1982)
Part 2 - Poltergeist II: The Other Side (1986)
Part 3 - Poltergeist III (1988)