Like some kind of Biblical fable about a secret angel showing it's weakness to a
group of humans in order to judge their compassion DOGVILLE is the story of a
frail woman, Grace (Nicole Kidman), who wanders into the small "town" of
Dogville in need of help. I say town in quotes because its only got
like 15 people living there, all on one street. Anyway, Grace is penniless
and looking for shelter. The townsfolk, somewhat reluctantly, take her in
and even after it's discovered that she's wanted by the Law they keep hiding
her. To earn her keep she does odd jobs for citizens of Dogville.
Then things start to take a more sinister turn.
Before you take it upon yourself to watch DOGVILLE you're first going to need to
gird your loins. The runtime is nearly 3 hours and that's just ridiculous
because this story could have easily been told in less than two. Next (and
this is the biggest thing) is there isn't an actual town or sky or trees or
anything. The entire movie is filmed on a single "black box theater"-style
stage with the imaginary street and houses and plants and everything drawn out
on the floor. Outside of a few minor set pieces (a desk, an organ, a bed,
etc.) the entire film is in your head. That's an interesting experiment,
but it gets old quickly and just comes off looking cheap and pretentious.
Next is the camerawork that seems, by the way it's always teetering around and
never standing still, to be taken by somebody wearing Google Glass. After
that is the editing which is just all over the place. I don't even have
any idea what was going on there...was it taken from multiple takes with
absolutely no consideration for continuity or flow? One moment a person
will be laying down (cut to the next angle) and literally 0.0001 of a second
later they're sitting up. It happened so flagrantly that it had to
been on purpose. The acting by the impressive cast was good for the most
part, but there were a few that seemed not up to their normal standards, so I'm
guessing once again: the stiff acting was done intentionally for some kind of
artistic reason?
I didn't dislike DOGVILLE. I'm all for filmmakers taking chances and
trying something new, but a lot of the stuff that went on here went right over
my stupid little head. I did take issue with the excessive run time.
I liked the story (even though I didn't really understand what the point of the
whole thing was), but it was just too long-winded and the characters too
unbelievable. That last act took forever and how dumb could that main guy
be?!
Interesting watch for the braver film lover, but I think most people will be
totally unamused.
Showing posts with label Udo Kier. Show all posts
Showing posts with label Udo Kier. Show all posts
Thursday, October 2, 2014
Monday, September 19, 2011
ARMAGEDDON (1998)
A massive asteroid, named Dottie, is headed directly for Earth and our only hope
is that two super Space Shuttles can take a group of oil drilling badasses up
into space, slingshot them around the moon and land on Dottie's ass so they can
give her a nuclear enema that'll blow that bitch out of the sky. Yasujiro Ozu
it's not.
Nope, it's Michael Bay. So check your brain at the door and get ready for some cheesy, goofy bullshit filled with helicopters flying in front of sunsets, explosions, slow motion overdose, frantic editing, rugged saintly-like tough guys, product placement, camera spin, Aerosmith power ballad overdose and some of the worse dialogue ever written. "Miss Stamper? Colonel Willie Sharp, United States Air Force, ma'am. Requesting permission to shake the hand of the daughter of the bravest man I've ever met." Ooowwwch! That line just gave me instant terminal butt cancer. Better go watch DEADLY PREY.
For a 90's disaster movie, ARMAGEDDON is about as big and dumb as it gets. It's awesome! The disaster is "a global killer", the characters are bigger than life and the director has no shame. One of the biggest guilty pleasure movies of the 90's.
Little known (untrue) fact: In the unproduced ARMAGEDDON 2: ELECTRIC BOOGALOO, literally 1 second after everybody finished hugging each other that the end of the first film, everybody on Earth immediately went back to hating the living fuck out of each other for totally unimportant reasons like skin colour, money, genitals and imaginary creators.
Nope, it's Michael Bay. So check your brain at the door and get ready for some cheesy, goofy bullshit filled with helicopters flying in front of sunsets, explosions, slow motion overdose, frantic editing, rugged saintly-like tough guys, product placement, camera spin, Aerosmith power ballad overdose and some of the worse dialogue ever written. "Miss Stamper? Colonel Willie Sharp, United States Air Force, ma'am. Requesting permission to shake the hand of the daughter of the bravest man I've ever met." Ooowwwch! That line just gave me instant terminal butt cancer. Better go watch DEADLY PREY.
For a 90's disaster movie, ARMAGEDDON is about as big and dumb as it gets. It's awesome! The disaster is "a global killer", the characters are bigger than life and the director has no shame. One of the biggest guilty pleasure movies of the 90's.
Little known (untrue) fact: In the unproduced ARMAGEDDON 2: ELECTRIC BOOGALOO, literally 1 second after everybody finished hugging each other that the end of the first film, everybody on Earth immediately went back to hating the living fuck out of each other for totally unimportant reasons like skin colour, money, genitals and imaginary creators.
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