After a series of unfortunate events the innocent Phillip Davidson is wrongly convicted of murder and sent to prison. Twelve years later he's released with a bolder-sized chip on his shoulder and a desire to get even with those that wronged him. Unfortunately he doesn't know the whereabouts or even the names of everybody involved with his betrayal. Even worse, his ex-girlfriend, who lied at his trial, ended up marrying the inspector in charge of his case!
As far as old revenge thrillers go THE LONG MEMORY is just alright. After 12 years you would hope that Davidson would either be completely insane or very calculating in his quest for revenge, but no this guy's clueless. Instead of kicking ass he spends most of his time standing around looking confused or moping around looking sad. Neither one is exciting for the viewer to watch. Bland story, boring characters, nice photography and lighting, very low violence, yawn creating pace. I didn't dislike TLM, but other than the British setting/actors there wasn't much to hold my attention.
You'd be better off watching something like 1948's ACT OF VIOLENCE.
Sunday, March 2, 2014
Saturday, March 1, 2014
THE MAN WHO SHOT LIBERTY VALANCE (1962)
Fresh out of law school, 54-year-old James Stewart is traveling to the small
western town of Shinbone when the stagecoach is held up by local bandit Liberty
Valance. He beats the poo-poo out of Stewart and leaves him for dead on
the side of the road. Luckily, John Wayne happens to find him and takes
him into town for some medical attention. Shinbone is a small town, not
much bigger than a tumbleweed, and it doesn't have a lawyer or much of anything
for that matter. Mostly bars, drunks, a one-man newspaper written by
Edmond O'Brien and a restaurant waitressed by Vera Miles.
It's Miles who nurses Stewart back to health. She even gets him a job washing dishes, since there's no need for a lawyer. As things progress and the locals faces off against the large ranchers in a fight of statehood vs. territorial control by the ranchers, Stewart is obsessed with seeing Valance face the justice of the Law. At the same time, Valance and his gang continues to terrorize the local population and Wayne sees that his secret love for Miles is in danger of being crushed by her admiration of Stewart.
THE MAN WHO SHOT LIBERTY VALANCE isn't your standard western with the wide shots of the beautiful desert vistas, cattle drives and everybody riding horses non-stop. Most of the action takes place indoors with people talking. Now whether that was was done by choice or lack of financing I don't know, but it works thanks to the strong script and the fact that TMWSLV has pound-for-pound one of the most impressive casts ever! It's amazing! There's one scene (the steak on the floor scene) where you have John Wayne, Vera Miles, Jimmy Stewart, Lee Marvin, Edmond O'Brien, Strother Martin, Woody Strode, Jeanette Nolan, Lee Van Cleef and John Qualen all in one area together! Not to mention Andy Devine ducking out the back door. That's mind-blowing.
Great story, amazing cast, Strother Martin giggling, Montie Montana's horse drinking out of a water pitcher, tons of familiar faces (including Denver Pyle, Willis Bouchey, Robert F. Simon, Carleton Young, Ted Mapes, Jack Pennick and more), good pace, costume design by Edith Head, John Carradine monologuing and one of my favorite Edmond O'Brien performances ever. I have no idea why this film only received one(!!!) Oscar nomination.
Highly recommended.
It's Miles who nurses Stewart back to health. She even gets him a job washing dishes, since there's no need for a lawyer. As things progress and the locals faces off against the large ranchers in a fight of statehood vs. territorial control by the ranchers, Stewart is obsessed with seeing Valance face the justice of the Law. At the same time, Valance and his gang continues to terrorize the local population and Wayne sees that his secret love for Miles is in danger of being crushed by her admiration of Stewart.
THE MAN WHO SHOT LIBERTY VALANCE isn't your standard western with the wide shots of the beautiful desert vistas, cattle drives and everybody riding horses non-stop. Most of the action takes place indoors with people talking. Now whether that was was done by choice or lack of financing I don't know, but it works thanks to the strong script and the fact that TMWSLV has pound-for-pound one of the most impressive casts ever! It's amazing! There's one scene (the steak on the floor scene) where you have John Wayne, Vera Miles, Jimmy Stewart, Lee Marvin, Edmond O'Brien, Strother Martin, Woody Strode, Jeanette Nolan, Lee Van Cleef and John Qualen all in one area together! Not to mention Andy Devine ducking out the back door. That's mind-blowing.
Great story, amazing cast, Strother Martin giggling, Montie Montana's horse drinking out of a water pitcher, tons of familiar faces (including Denver Pyle, Willis Bouchey, Robert F. Simon, Carleton Young, Ted Mapes, Jack Pennick and more), good pace, costume design by Edith Head, John Carradine monologuing and one of my favorite Edmond O'Brien performances ever. I have no idea why this film only received one(!!!) Oscar nomination.
Highly recommended.
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