Fresh out of law school, 54-year-old James Stewart is traveling to the small
western town of Shinbone when the stagecoach is held up by local bandit Liberty
Valance. He beats the poo-poo out of Stewart and leaves him for dead on
the side of the road. Luckily, John Wayne happens to find him and takes
him into town for some medical attention. Shinbone is a small town, not
much bigger than a tumbleweed, and it doesn't have a lawyer or much of anything
for that matter. Mostly bars, drunks, a one-man newspaper written by
Edmond O'Brien and a restaurant waitressed by Vera Miles.
It's Miles who nurses Stewart back to health. She even gets him a job
washing dishes, since there's no need for a lawyer. As things progress and
the locals faces off against the large ranchers in a fight of statehood vs.
territorial control by the ranchers, Stewart is obsessed with seeing Valance
face the justice of the Law. At the same time, Valance and his gang
continues to terrorize the local population and Wayne sees that his secret love
for Miles is in danger of being crushed by her admiration of Stewart.
THE MAN WHO SHOT LIBERTY VALANCE isn't your standard western with the wide shots
of the beautiful desert vistas, cattle drives and everybody riding horses
non-stop. Most of the action takes place indoors with people
talking. Now whether that was was done by choice or lack of financing I
don't know, but it works thanks to the strong script and the fact that TMWSLV
has pound-for-pound one of the most impressive casts ever! It's
amazing! There's one scene (the steak on the floor scene) where you have
John Wayne, Vera Miles, Jimmy Stewart, Lee Marvin, Edmond O'Brien, Strother
Martin, Woody Strode, Jeanette Nolan, Lee Van Cleef and John Qualen all in one
area together! Not to mention Andy Devine ducking out the back door.
That's mind-blowing.
Great story, amazing cast, Strother Martin giggling, Montie Montana's horse
drinking out of a water pitcher, tons of familiar faces (including Denver Pyle,
Willis Bouchey, Robert F. Simon, Carleton Young, Ted Mapes, Jack Pennick and
more), good pace, costume design by Edith Head, John Carradine monologuing and
one of my favorite Edmond O'Brien performances ever. I have no idea why
this film only received one(!!!) Oscar nomination.
Highly recommended.