Los Angeles grocery store worker, John Denver, is contacted by (one of the
Christian mythology versions of) God (played by George Burns) in order to help
spread the word that God exists. So, what can Denver do that the millions of
people who already do that daily cannot? He contacts the Los Angeles
Times. Amazing. Somehow, that works and he soon becomes a local
celebrity for talking to God. Things snowball and before you can say “If a good
woman's good husband dies and she eventually remarries an equally good man…who
will she spend eternity with in Heaven?” Denver is being interrogated by a
grumpy group of religious leaders who don’t appreciate him weaseling in on their
everlasting tax-free sacred cash cow.
Released way back in ye olde 1977, OH, GOD! was advertised as a comedy, but I
failed to see the humor in moments that are supposed to be amusing. For example:
Denver’s character is a non-believer, so in order to prove that he’s God, God
does annoying crap like make it rain inside Denver’s car (great, now my
whip is ruined.) or magically appear inside Denver’s bathroom while he’s
showering (what the fuck is wrong with you, dude?). The entire film is full of
moments equally as hilarious.
Besides the completely flat comedy moments, I was also disappointed in the
overall story. It was dumbed down, dull and depressing. Think about
it. Our Creator appears to Man…and all he does is pester / terrorize (he
threatened Denver with lightning inside the car) / force the human into helping
him? What the fuck kind of maniac does that? If a human did
that to another human, it'd be a felony! The God character is also capable
of miracles (obviously), but he doesn’t do anything productive throughout the
entire movie. No miracles (outside of some disappearance crap and that stupid
rain trick), no helping people, no curing diseases. Nothing! Fuck
him. If God showed up while I was driving and asked for help spreading the word
about him, I’d drive his selfish ass over to a children’s hospital or a homeless
shelter and tell him to fix that shit first! Lazy fucker. Also, how
is it helpful knowing that God "exists" if she / he doesn't do anything?
I don't know. Maybe I'm not the right audience for this film and just
overthinking the whole thing. I admire Carl Reiner and George Burns, but
I'm saying
"Goodnight, Gracie" to
this motherfucker. Dated special effects, average acting, horrible script,
interesting old Los Angeles locations, old cars, slow pace, impressive
supporting cast that is completely wasted, disappointing ending. That
said, OH, GOD! made more money at the box office in 1977 than
ANNIE HALL
did, so what the fuck do I know?
I am curious what hardcore Christians think about this movie? I'm talking
hardcore fuckers who
"don't chew gum because gum is a hypocrite. It lies to your stomach
that food is coming"
hardcore! Because the entire thing seems blasphemous and doesn't present
God in a positive manner.
Part 2 - Oh, God! Book II (1980)
Part 3 - Oh, God! You Devil (1984)
Tuesday, March 22, 2022
Monday, February 7, 2022
SHAMPOO (1975)
Los Angeles, 1968. Beverly Hills hairdresser George Roundy (Warren Beatty) has dreams of opening his own salon, but doesn't have the money. So, in order to raise the funds, he seduces a client (Lee Grant) and together, they try to convince her wealthy husband (Jack Warden) to finance George's salon. That's unethical as fuck (especially since George has a girlfriend of his own, Goldie Hawn, plus an ex that he’s still sleeping with, Julie Christie), but it has a good chance of working...if George can keep his dong in his britches. Unfortunately, George's sex drive is so out of control that he cannot help but to get in his own way.
As far as pre-RACQUET clones go, SHAMPOO is a good film. Strong acting by an impressive cast, quick pace, awesome fashions, interesting characters, a few funny moments, beautiful Los Angeles locations and some really great music during the party scene that fit absolutely perfect (especially the Buffalo Springfield song).
One thing that did go over my simple (yet still incredibly handsome) brain was all of the political themes and stuff going on in the background. Multiple times throughout the film there's a television featuring coverage of Richard Nixon's election. I don't know what the point of that was or why the film was set in 1968 instead of 1975, but even without understanding that extra layer of the story, I still enjoyed it. Maybe it has something to do with sexual revolution? And speaking of sex…I was surprised by the lack of sex in the film. Yeah, there’s sex talk and implied sex scenes, but SHAMPOO is much tamer than I expected it to be. I’m curious if SHAMPOO was considered risque or controversial when it came out?
Anyway, SHAMPOO is a fun film and worth checking out. I am a little confused with Lee Grant winning the Best Supporting Actress Oscar for her role in this film. I mean, she's definitely good, but it didn't stand out to me as award worthy.
As far as pre-RACQUET clones go, SHAMPOO is a good film. Strong acting by an impressive cast, quick pace, awesome fashions, interesting characters, a few funny moments, beautiful Los Angeles locations and some really great music during the party scene that fit absolutely perfect (especially the Buffalo Springfield song).
One thing that did go over my simple (yet still incredibly handsome) brain was all of the political themes and stuff going on in the background. Multiple times throughout the film there's a television featuring coverage of Richard Nixon's election. I don't know what the point of that was or why the film was set in 1968 instead of 1975, but even without understanding that extra layer of the story, I still enjoyed it. Maybe it has something to do with sexual revolution? And speaking of sex…I was surprised by the lack of sex in the film. Yeah, there’s sex talk and implied sex scenes, but SHAMPOO is much tamer than I expected it to be. I’m curious if SHAMPOO was considered risque or controversial when it came out?
Anyway, SHAMPOO is a fun film and worth checking out. I am a little confused with Lee Grant winning the Best Supporting Actress Oscar for her role in this film. I mean, she's definitely good, but it didn't stand out to me as award worthy.
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