Thursday, May 22, 2014

IN THE MOUTH OF MADNESS (1994)

Insurance investigator Sam Neill is hired by a publishing house to find their lost horror writer, Sutter Cane.  Using clues from Cane's book covers, Neill discovers a map that leads him to the fictional town of Hobb's End, which is the setting in many of Cane's novels.  Progressively creepy stuff happens (reoccurring bicycle rider on the road, paintings moving, phantom children, evil dogs, mutants, tentacles, dogs and cats living together) and soon Neill discovers that he's in a world of shit.

Time has not been kind to IN THE MOUTH OF MADNESS.  The last time I last saw it was back in 1995 when it first came out in the theaters and I thought it was pretty creepy.  Revisiting it now...not so much.  Actually, it's not even creepy at all.  Instead the whole thing looks cheap around the edges, the story isn't near as grand as it promises to be, there's barely any violence, the only female with descent screentime to the unsexy "sexy" vampire from FRIGHT NIGHT II, the story drags on without any payoff, Sam Neill's performance comes off much campier than I remembered and the intro credit song by John Carpenter is like a bizarre lovechild of "(Don't Fear) The Reaper" and "Enter Sandman".

IN THE MOUTH OF MADNESS isn't a bad movie, it's just dedicates so much energy into this whole perverted reality "are we living in a book?" bullshit that it forgets to actually have any scary moments.  Worth a watch for fans of 90's horror, but it's nothing to get excited about.  If you want me I'll be in my room watching PRINCE OF DARKNESS.