
Michael Fassbender lives in NYC. He has a high paying job, an swank apartment
and a
massive sexual addiction that's
bordering on crippling. This dude is
all about sex. He's nonstop surfing
porn and jacking off, banging whores like it's going out of style and in the
peaceful moments between all the stroking and pumping, he's eyeballing every
woman that walks by. Of course, it helps that he's handsome as fuck and has a
cush job. If he was some fucked up
Ottis Toole-looking
motherfucker it'd be a totally different story, but let's leave that to somebody
else to direct. Because what director/co-writer Steve McQueen has captured here
is a riveting glimpse of a outwardly normal man who is severely fucked up
inside. He's haunted by past demons. We're not told what they are, but it
clearly has something to do with his childhood, so when his younger sister
unexpectedly shows up it drives him to the edge...and maybe over? Well, you just
have to see for yourself.
I cannot rave about SHAME enough. I enjoyed it from beginning to end. The
acting, the direction, the cinematography, hell even the lighting was
awesome...and the original score! It was was
perfect. No music in the world could
have captured that moment on the subway better than it did. I literally watched
that scene like six times times. I was in movie heaven. So how is it that a film
that can transport a grouchy movie nerd like me to movie heaven be completely
overlooked by the Academy Awards last year? I have no clue. There had to be some
kind of weird disqualification or something. Because, in my opinion,
SHAME should have had a number of nominations. Including a Best Actor award
for Michael Fassbender. He was already robbed for
FISH TANK, so they owe him.
In conclusion, if THE WAR ZONE and
MYSTERIOUS SKIN
were brother and sister and they were forced by their father, AMERICAN PSYCHO,
to have sex and have a baby, the baby would be SHAME. Watch it and you'll see
what I'm getting at.
I hate it when people spell cum "come". Stephen King does that and it
makes me mental.


